备注:HD中字
类型:
主演:亚历山大·凯伊达诺夫斯基,柳德米拉·马克萨科娃,塔雅娜·德鲁比奇,弗拉基米尔·米哈伊洛维奇·泽尔金
导演:斯坦尼斯拉夫·戈沃鲁辛
语言:其它
年代:1987
简介: 荒凉的德文郡沿海索吉尔岛。十个陌生人被邀请到这座与世隔绝的小岛上做客,却没有任何一个人知道邀请者的庐山真面目。十人到达之后,只有一段神秘的录音记录响彻于耳。它揭穿了每一个人并不光彩的过去,这十个人都曾涉及过杀人案件。面对赤裸裸的指证,每一个人都惊慌失措。而更令众人惶恐不 安的是,他们正按着一首可怕童谣的歌词而逐一离奇死去。桌上的十个印第安小瓷像,正露出邪恶而诡异的笑容。 本部悬疑惊悚影片《十个小黑人》改编自著名英国推理小说作家阿加莎·克里斯蒂的同名畅销小说。
备注:HD中字
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主演:米哈伊尔·乌里扬诺夫,亚历山大·波罗霍夫什奇科夫,谢尔盖·加尔马什,伊琳娜·罗扎诺娃,马拉特·巴沙罗夫,阿里克谢·马卡罗夫,Ilya Drevnov,弗拉季斯拉夫·加尔金,格奥尔基·玛尔季罗西扬,Aleksei Goltsov
导演:斯坦尼斯拉夫·戈沃鲁辛
语言:其它
年代:1999
简介: 該片由俄羅斯國家杜馬的獨立議員斯·戈沃魯欣執導。 A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated then gang raped her. Local cops are incapable to undertake an adequate action against the scoundrels - prevented by the superior chief of the local police (militia) which is the dad of one the scumbags. The case is closed. The girl's grand-dad tired of endless circumlocution decides to take revenge of his own.
备注:HD中字
类型:
主演:瓦伦丁·波波夫,尼古拉·古本科,斯坦尼斯拉夫·柳布申,玛丽安娜·沃汀斯卡娅,Zinaida Zinoveva,Svetlana Starikova,列夫·普雷古诺夫
导演:马林·胡茨耶夫
语言:其它
年代:1965
简介: 谢尔盖(Valentin Popov 饰)、尼古拉(尼古拉·古边科 Nikolai Gubenko 饰)和斯拉瓦(斯坦尼斯拉夫·柳布申 Stanislav Lyubshin 饰)是从小玩到大的青梅竹马的好友,长大后,他们都选择了当兵报效祖国,在退役之后,三人走上了他们不同的人生道路。 谢尔盖一直想要进入动力学院念书,但因为父亲在早年间的战争中不幸丧命,母亲和妹妹维拉(斯维特兰娜·斯维特利奇娜娅 Svetlana Svetlichnaya 饰)全部都要靠着他来养活,因此谢尔盖不得不放弃了念书的念头。斯拉瓦早早就步入了婚姻的殿堂,然而婚姻带给他的,却只有痛苦和争吵。尼古拉的性格要比另外两人稍稍幼稚一些,整天大大咧咧笑嘻嘻的他似乎没有什么烦恼。
备注:HD中字版
类型:
主演:丹尼尔·斯蒂森,Olga Kent,Daniel Nehme,斯坦尼斯拉夫·雅涅夫斯基,Madeleine Vall,娜塔莎·迈尔兹,Stephanie Siadatan,罗伯特·福林,Pasi Antero Remsu,迈克尔·比灵顿,卡米尔·雷米泽斯基,Veera Seppälä,Kenneth Wolf Andersen Haugen,萨姆·哈迪,Marcus Alexander Bakke
导演:Fansu Njie
语言:英语
年代:2021
简介: John Wood left the pieces of a broken civilisation behind, to go back to his roots in the woodland, after a virus pandemic struck the world. Residing in a simple cabin, he only wants peace and to live in harmony with nature. Coming from a long line of t
备注:HD中字版
类型:
主演:马特维·雷科夫,玛利亚·波叶扎耶娃,斯坦尼斯拉夫·柳布申,彼得·罗曼诺夫,列娃·安德烈瓦伊达,阿莲娜·契诃娃,维多利亚·伦佐娃
导演:英达尔·珍杜巴耶夫
语言:俄语
年代:2015
简介:冰寒大地,恶龙肆虐。每到特定日子,人们必须献祭出美丽的女孩,让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦,凭着对女孩的真爱找到龙的巢穴,将恶龙杀死,这 片土地也因此恢复平静。 数十载后,残暴恶龙与勇敢屠龙者的故事已经成为传说。这天,美丽的公爵小女儿米拉(玛利亚·波兹哈娃 Mariya Poezzhaeva 饰)即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌,不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走,遗落在荒无人烟的遗骸岛。在岛上,她遇到一个神秘人阿尔曼(马特维·雷科夫 Matvey Lykov 饰),然而米拉发现,这个有着人类躯体的男子,竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活,米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉,假装赶走米拉,米拉在海上漂泊被未婚夫救走,婚礼即将再次举行。
备注:HD
类型:
主演:斯坦尼斯拉夫·杜任科夫,谢尔盖·奇尔科夫,维克多·多勃朗拉沃夫,亚历山大·索科洛夫斯基,基里尔·卡罗,叶卡婕琳娜·谢·瓦西利耶娃,尼基塔·塔拉索夫,萨沙·沙图里亚,亚历山大·里科夫,Zara,伊戈尔·别特连科,克里斯蒂娜·布罗德斯基,亚历山大·科尔舒诺夫,叶莲娜·利亚多娃,帕维尔·普里卢茨内,伊戈尔·斯克利亚尔,西蒙·特列斯库诺夫
导演:迪米特里·图灵
语言:
年代:2021
简介:米哈伊尔是一位年轻的商人,凭着一股狠劲,他迅速取得了成功。他的生活充斥着一系列的商务会议,谈判和公关,根本无暇顾及个人生活,思考除了生意以外的事情。因为从小在孤儿院长大的父亲一直教育他,不能有爱,这会是致命的软肋。最近米哈伊尔与合伙人在一项地产开发项目中遇到了两位“挖掘者”的阻拦,他们要求项目暂停,直到他们完成挖掘被掩埋红军战士的遗体为止。为了摆脱纠缠,米哈伊尔假意跟随其中一人进入地下防空洞,谁知阴差阳错,他居然穿越到了二战期间……作为旁观者,身处战场的米哈伊尔并不会遭遇危险,士兵们也无法感知他的存在。就这样,在一次又一次短暂的穿越中,米哈伊尔看到了人间大爱,看到了那些为了祖国未来而无畏牺牲的无数小我,并且经由线索,他发现那些穿越回去接触到的英雄,居然是他的祖辈。
备注:HD
类型:
主演:弗拉基米尔·泽连斯基,Evgeniy Koshevoy,斯坦尼斯拉夫·波克琅,Olha Zhukovtsova-Kyiashko,Georgiy Povolotskiy,Vladimir Goryanskiy,Dmitriy Lalenkov,Yuriy Grebelnik,Sergey Kalantay,Andrey Danilko,Inna Belokon,尤里·霍尔布诺夫,Stepan Ka
导演:Alexey Kiruyshenko
语言:俄语,乌克兰语
年代:2016
简介:《人民公仆》大电影。瓦夏总统和前总理携手大战众寡头;光头外交部长和秘书智斗IMF代表团……
备注:HD
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主演:克里斯托弗·哈德克,Jan Maxián,David Novotny,翁德雷·特罗扬,马瑞克·塔西里克,塔蒂亚娜·维尔赫莫娃,约瑟夫·索姆尔,Ales Najbrt,Matej Ruppert,Václav Koubek,斯坦尼斯拉夫·辛杜卡,吉里·哈夫尔卡,雅各布·扎塞克,苏珊娜·斯狄沃诺娃
导演:加林娜·米克林诺瓦
语言:捷克语
年代:2016
简介:善良孝顺的小精灵希力咕,在相依为命的爷爷因年迈去世后,勇敢踏上了寻找亲人的冒险旅程。他既要学会融入新的家庭,与一些中二叛逆的邪魅小精灵斗智斗勇,还要应对孤独乖僻一心只想捕捉袜子精灵的人类怪教授……惊险刺激又妙趣横生的冒险故事中,蕴藏着充满温情的大智慧。
备注:HD
类型:
主演:谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
导演:安东·梅格尔季切夫
语言:俄语
年代:2013
简介:在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
备注:完结
类型:
主演:弗拉基米尔·泽连斯基,Vladyslav Dmytrenko,鲍里斯·阿布拉莫夫,Anastasiya Chepelyuk,斯坦尼斯拉夫·波克琅,Viktor Saraykin,Nataliya Sumskaya,Ekaterina Kisten,Elena Kravets,Evgeniy Koshevoy,Yuriy Krapov,Aleksandr Pikalov,安娜·科什马尔,Galina
导演:内详
语言:俄语
年代:2015
简介:关于普通学校教师成为乌克兰总统的政治喜剧。 他试图在没有“总统特权”的情况下过平凡生活,努力打造国家的新面貌,并与贪官污吏作斗争。
备注:DVD
类型:
主演:特雷莎·伊泽夫斯卡,塔杜施·扬查尔,韦恩泽斯洛·格林斯基,塔德乌什·格威亚兹多夫斯基,斯坦尼斯拉夫·米库尔斯基,埃米尔·卡尔维茨,弗拉杰克·舍伊巴尔,Teresa Berezowska,Zofia Lindorf,Janina Jablonowska,Maria Kretz,扬·恩格莱特,Kazimierz Dejunowicz,Zdzislaw Lesniak,马奇·马奇约斯其,亚当·帕夫利克夫
导演:安杰伊·瓦伊达
语言:其它
年代:1957
简介: 1944年9月底,悲剧性的华沙起义已接近尾声,一支波兰“国家军”在中尉查德拉(Wienczyslaw Glinski 饰)带领下驻防一栋破败的建筑。华沙市内被德军分块切断,与家人失散的作曲家米考只好在这支30人小队中栖身。悬殊的军事差距让战士们心灰意懒,米考的钢琴声有些怪异的飘荡在废墟上空。德军的小型攻势很快让队伍无法招架,全员进入下水道转移阵地。 波兰战士们在没有饮食的下水道中茫然前行,德军不时投放毒气,有一些战士疯掉了,但更多人死在了下水道中。查德拉的队伍很快迷失了方向,战士们也分别迷失在暗无天日的下水道中…… 本片获1957年戛纳电影节评委会大奖。是导演安杰依·瓦伊达(Andrzej Wajda)战争三部曲的第二部。
备注:HD
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主演:Andrzej Banaszewski,Beata Barszczewska,马里乌什·德莫霍夫斯基
导演:斯坦尼斯拉夫·罗泽维格
语言:其它
年代:1961
简介: In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth." The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era. The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved. The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair. At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance? Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'." After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others. In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
备注:正片
类型:
主演:谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
导演:安东·梅格尔季切夫
语言:俄语
年代:2013
简介:在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
备注:HD
类型:
主演:马特维·雷科夫,玛利亚·波叶扎耶娃,斯坦尼斯拉夫·柳布申,彼得·罗曼诺夫,列娃·安德烈瓦伊达,阿莲娜·契诃娃,维多利亚·伦佐娃
导演:英达尔·珍杜巴耶夫
语言:英语
年代:2015
简介: 冰寒大地,恶龙肆虐。每到特定日子,人们必须献祭出美丽的女孩,让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦,凭着对女孩的真爱找到龙的巢穴,将恶龙杀死,这 片土地也因此恢复平静。 数十载后,残暴恶龙与勇敢屠龙者的故事已经成为传说。这天,美丽的公爵小女儿米拉(玛利亚·波兹哈娃 Mariya Poezzhaeva 饰)即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌,不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走,遗落在荒无人烟的遗骸岛。在岛上,她遇到一个神秘人阿尔曼(马特维·雷科夫 Matvey Lykov 饰),然而米拉发现,这个有着人类躯体的男子,竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活,米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉,假装赶走米拉,米拉在海上漂泊被未婚夫救走,婚礼即将再次举行。
备注:HD
类型:
主演:马特维·雷科夫,玛利亚·波叶扎耶娃,斯坦尼斯拉夫·柳布申,彼得·罗曼诺夫,列娃·安德烈瓦伊达,阿莲娜·契诃娃,维多利亚·伦佐娃
导演:英达尔·珍杜巴耶夫
语言:国语
年代:2015
简介: 冰寒大地,恶龙肆虐。每到特定日子,人们必须献祭出美丽的女孩,让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦,凭着对女孩的真爱找到龙的巢穴,将恶龙杀死,这 片土地也因此恢复平静。 数十载后,残暴恶龙与勇敢屠龙者的故事已经成为传说。这天,美丽的公爵小女儿米拉(玛利亚·波兹哈娃 Mariya Poezzhaeva 饰)即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌,不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走,遗落在荒无人烟的遗骸岛。在岛上,她遇到一个神秘人阿尔曼(马特维·雷科夫 Matvey Lykov 饰),然而米拉发现,这个有着人类躯体的男子,竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活,米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉,假装赶走米拉,米拉在海上漂泊被未婚夫救走,婚礼即将再次举行。
备注:HD
类型:
主演:马特维·雷科夫,玛利亚·波叶扎耶娃,斯坦尼斯拉夫·柳布申,彼得·罗曼诺夫,列娃·安德烈瓦伊达,阿莲娜·契诃娃,维多利亚·伦佐娃
导演:英达尔·珍杜巴耶夫
语言:俄语
年代:2015
简介: 冰寒大地,恶龙肆虐。每到特定日子,人们必须献祭出美丽的女孩,让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦,凭着对女孩的真爱找到龙的巢穴,将恶龙杀死,这 片土地也因此恢复平静。 数十载后,残暴恶龙与勇敢屠龙者的故事已经成为传说。这天,美丽的公爵小女儿米拉(玛利亚·波兹哈娃 Mariya Poezzhaeva 饰)即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌,不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走,遗落在荒无人烟的遗骸岛。在岛上,她遇到一个神秘人阿尔曼(马特维·雷科夫 Matvey Lykov 饰),然而米拉发现,这个有着人类躯体的男子,竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活,米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉,假装赶走米拉,米拉在海上漂泊被未婚夫救走,婚礼即将再次举行。
备注:HD
类型:
主演:谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
导演:安东·梅格尔季切夫
语言:国语
年代:2013
简介: 在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
备注:HD
类型:
主演:谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
导演:安东·梅格尔季切夫
语言:其它
年代:2013
简介: 在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
备注:正片
类型:
主演:谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
导演:安东·梅格尔季切夫
语言:俄语
年代:2013
简介:在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
备注:正片
类型:
主演:丹尼尔·雷德克里夫,艾玛·沃森,鲁伯特·格林特,迈克尔·刚本,玛吉·史密斯,汤姆·费尔顿,蒂莫西·斯波,罗伯特·帕丁森,梁佩诗,大卫·田纳特,马克·威廉姆斯,埃里克·赛克斯,詹姆斯·菲尔浦斯,奥利弗·费尔普斯,邦妮·怀特,克蕾曼丝·波西,加里·奥德曼,杰夫·劳勒,詹森·艾萨克,斯坦尼斯拉夫·雅涅夫斯基,罗伯特·哈迪,阿什莉·阿尔图斯/亚历克斯·帕尔墨,罗格·洛伊德-派克,希拉·艾伦,Su Elli
导演:迈克·内威尔
语言:英语
年代:2005
简介: 这是一个不同寻常的学期,魔法学校的盛事:三强争霸赛在霍格沃茨举行。学生们争先报名,希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后,竟将未足年龄的哈利也挑选出来。 哈利(Daniel Radcliffe饰)的当选引起其他学生的嫉妒连连,就连铁哥们罗恩(Rupert Grint饰)也首次和他闹起了别扭,哈利感到孤立无援,还好有教父小天狼星和赫敏一直支持他。